Considered the greatest artist of the Dutch Golden Age, Rembrandt Harmenszoon van Rijn revolutionised painting with an exceptional command of light, shadow and brushwork, possessing his scenes and subjects with uncompromising realism and ambitious psychological intensity.
Born in Leiden in 1606, Rembrandt made his name after 1631 in the booming port of Amsterdam, painting portraits, Biblical scenes, landscapes and animal studies for a newly minted mercantile class. Although he never went abroad his art was indebted to the Italian Baroque painter Caravaggio, whose innovative use of chiaroscuro, developed around the start of the century, had recently made way to Holland via the travelling Dutch artists Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen.
Following Amsterdam’s Protestant Reformation of 1578, commissions from the church dried up — instead Rembrandt had to look to civic bodies for patronage. An order placed circa 1639 resulted in his most famous painting: a huge, dynamic group portrait of a local militia emerging from a dark alley called The Night Watch (1642, Rijksmuseum).
Approximately 50 of Rembrandt’s 300 or so paintings were self-portraits, spanning the entirety of his 40-year career. He elevated the medium to new heights of autobiography, adopting unconventional facial expressions, props and costumes to convey his ever changing moods. Over time, he also developed an impasto technique, applying thick layers of paint with strokes of a palette knife or the bristles of his brush to build up a tactile surface of his aging, ruddy and wrinkled face.
Rembrandt was also a prolific printer. Hugely experimental with his range of mark-making and the tonal qualities of the medium, he produced some 300 etchings and drypoints, which were widely circulated around Europe during his lifetime and are still considered a benchmark of the skill.
Despite his success, Rembrandt squandered his fortune, spending compulsively on art and antiques. In 1656 he declared bankruptcy and surrendered his assets in an attempt to settles his debts. In 1669, at the age of 63, he died penniless and was buried in an unmarked grave. Today, his legacy endures. In 2009 Christie’s sold Rembrandt’s Portrait of a man with arms akimbo for £20,201,250, setting a world auction record for the artist.
Browse Rembrandt prints, drawings & watercolors
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Abraham entertaining the Angels
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait open-mouthed, as if shouting: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc.
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait in a Cap and Scarf with the Face dark: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait with Saskia
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait with Saskia
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait in a Velvet Cap with Plume
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait leaning on a Stone Sill
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait etching at a Window
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Artist's Mother, Head and Bust: Three Quarters right
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Artist's Mother seated at a Table, looking right: three Quarter-Length
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Triumph of Mordecai
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
David in Prayer
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Abraham and Isaac
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ driving the Money Changers from the Temple
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ healing the Sick ('The Hundred Guilder Print')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ presented to the People ('Ecce Homo')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Crucifixion: Small Plate
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ carried to the Tomb
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Saint Peter in Penitence
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Medea: or The Marriage of Jason and Creusa
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with a Cottage and a large Tree
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with Cottages and a Hay Barn: Oblong
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Three Trees
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Cottage and Farm Buildings with a Man sketching
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with three gabled Cottages beside a Road
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with a Square Tower
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
View of the Diemerdijk with a Milkman and Cottages ('Het Melkboertje')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Clump of Trees with a Vista
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Strolling Musicians
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Peasant Family on the Tramp
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Head of an old Man in a high Fur Cap: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669) AFTER JAN LIEVENS (1607-1674)
The second Oriental Head
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Bearded Man in a Velvet Cap with a Jewel Clasp
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Old Man with a divided Fur Cap
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Card Player
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Uytenbogaert, 'The Goldweigher'
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Cornelis Claesz. Anslo, Preacher
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Cornelis Sylvius, Preacher
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Lutma, Goldsmith
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Woman sitting half dressed beside a Stove
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Woman bathing her Feet at a Brook
SCHOOL OF REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Woman cutting her Mistress's Nails
Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)
Portrait of a man with arms akimbo
REMBRANDT HARMENSZ. VAN RIJN (LEIDEN 1606-1669 AMSTERDAM)
Portrait of Jan Willemsz. van der Pluym (c.1565-1644), bust-length; and Portrait of Jaapgen Carels (1565-1640), bust-length
Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)
A man in a gorget and cap
Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)
Portrait of Petronella Buys (1610-1670), bust-length, in a brocaded black gown, bobin lace-trimmed double cartwheel ruff and pearled diadem cap
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Arnout Tholinx, Inspector
Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam) and Studio
Man with a Sword