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The Three Trees
Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Three Trees
etching with engraving and drypoint
1643
on laid paper, with an unidentified countermark
a very good, dark and tonal impression of this important print
printing clearly and intense contrasts, the sulphur tinting in the sky and by the tree still pronounced
just beginning to show a little wear in the densest areas
with small to narrow margins
the sheet very thinly backed, a couple of minor, unobtrusive repairs
generally in good condition
Plate 212 x 278 mm.
Sheet 214 x 282 mm.
The Three Trees
etching with engraving and drypoint
1643
on laid paper, with an unidentified countermark
a very good, dark and tonal impression of this important print
printing clearly and intense contrasts, the sulphur tinting in the sky and by the tree still pronounced
just beginning to show a little wear in the densest areas
with small to narrow margins
the sheet very thinly backed, a couple of minor, unobtrusive repairs
generally in good condition
Plate 212 x 278 mm.
Sheet 214 x 282 mm.
来源
Private Collection, Chicago.
Literature
Bartsch, Hollstein 212; Hind 205; New Hollstein 214
C. S. Ackley et al., Rembrandt’s Journey – Painter, Draftsman, Etcher, exh. cat., Museum of Fine Arts Boston, 2003, pp. 190-192 (another impression ill.).
K. Clark, Landscape into Art, London, 1976, pp. 60-61.
E. Hinterding, G. Luijten, M. Royalton-Kisch, Rembrandt the Printmaker, exh. cat., British Museum, London, 2000, no. 48, pp. 207-209 (another impression ill.).
E. Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Bussum & Paris, 2008, no. 167, vol. I, pp. 390-393, vol. II, p. 187 (another impression ill.).
C. P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, exh. cat., National Gallery of Art, Washington D.C., 1990, no. 75, pp. 240-242 (another impression ill.).
C. White, Rembrandt as an Etcher: A Study of the Artist at Work, New Haven and London, 1999, second edition, pp. 219-221 (another impression ill.).
C. S. Ackley et al., Rembrandt’s Journey – Painter, Draftsman, Etcher, exh. cat., Museum of Fine Arts Boston, 2003, pp. 190-192 (another impression ill.).
K. Clark, Landscape into Art, London, 1976, pp. 60-61.
E. Hinterding, G. Luijten, M. Royalton-Kisch, Rembrandt the Printmaker, exh. cat., British Museum, London, 2000, no. 48, pp. 207-209 (another impression ill.).
E. Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Bussum & Paris, 2008, no. 167, vol. I, pp. 390-393, vol. II, p. 187 (another impression ill.).
C. P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, exh. cat., National Gallery of Art, Washington D.C., 1990, no. 75, pp. 240-242 (another impression ill.).
C. White, Rembrandt as an Etcher: A Study of the Artist at Work, New Haven and London, 1999, second edition, pp. 219-221 (another impression ill.).
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Stefano Franceschi
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