The Whore of Babylon, from: The Apocalypse

The realistic way in which Dürer depicted Saint John's cryptic visions is particularly apparent in the present image. The figure and attire of the Whore is closely based on a highly finished drawing of a Venetian lady he made on his first trip to Venice in 1494-95 (W. 69). Venice, the largest and richest city in Europe, was famous for its courtesans and the alluring appearance and louche behaviour of its women. Here Dürer rendered the woman's dress and coiffure, the plants in the foreground and the landscape in the distance with greatest detail and accuracy. By taking such pains to accurately describe the natural world, the supernatural events unfolding within it appear no less real.
Early proof impressions such as the present example, printed before or aside from the first Latin and German text editions of 1498, must have been inked and pulled with the greatest care and attention, and are of incomparable clarity and depth. It is in these very earliest impressions that the beauty and refinement of Dürer's woodcut illustrations can be fully appreciated. The first series of large-scale woodcuts of any complexity in the history of Western printmaking, the Apocalypse changed the course of art history and book production in Europe.