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RADIANT MODERNISM: SIGNAC TO ALBERS - THE PROPERTY OF A EUROPEAN PRIVATE COLLECTION
ALBERT DUBOIS-PILLET (1846-1890)
Bas-port
Details
ALBERT DUBOIS-PILLET (1846-1890)
Bas-port
油彩 画布
8 ½ x 13 in. (21.6 x 33 cm.)
Painted circa 1886
Bas-port
油彩 画布
8 ½ x 13 in. (21.6 x 33 cm.)
Painted circa 1886
来源
(Probably) The artist's estate; sale, Puy-en-Velay, 5 November 1890.
M. Riboud, France, by 1891.
Marc Henri Bouchacourt (1860-1933), Le Puy.
Emmanuel Bouchacourt, Paris, by descent from the above; sale, Sotheby's, London, 15 April 1970, lot 33.
Private collection, Lisbon.
Galerie Hélène Bailly, Paris.
Acquired from the above, on 9 September 2018, and thence by descent to the present owner.
M. Riboud, France, by 1891.
Marc Henri Bouchacourt (1860-1933), Le Puy.
Emmanuel Bouchacourt, Paris, by descent from the above; sale, Sotheby's, London, 15 April 1970, lot 33.
Private collection, Lisbon.
Galerie Hélène Bailly, Paris.
Acquired from the above, on 9 September 2018, and thence by descent to the present owner.
Literature
A. Ernst, La Paix, 27 March 1891, p. 2.
R. Gounot, 'Le peintre Dubois-Pillet' in Cahiers de la Haute-Loire, Le Puy-en-Velay, 1969, p. 128.
L. Bazalgette, Albert Dubois-Pillet, sa vie et son œuvre, Paris, 1976, no. 442, p. 165.
P. Offenstadt, Albert Dubois-Pillet, Catalogue raisonné, Paris, 2018, no. 28, pp. 45-46 (illustrated p. 45).
R. Gounot, 'Le peintre Dubois-Pillet' in Cahiers de la Haute-Loire, Le Puy-en-Velay, 1969, p. 128.
L. Bazalgette, Albert Dubois-Pillet, sa vie et son œuvre, Paris, 1976, no. 442, p. 165.
P. Offenstadt, Albert Dubois-Pillet, Catalogue raisonné, Paris, 2018, no. 28, pp. 45-46 (illustrated p. 45).
Exhibited
Paris, Pavillon de la Ville de Paris, Rétrospective Dubois-Pillet (7e exposition de la Société des artistes indépendants), 1891, no. 442.
Montreal, The Montreal Museum of Fine Arts, Paris in the Days of Post-Impressionism, Signac and the Indépendants, March - September 2020, no. 26, pp. 45 & 362 (illustrated p. 26; titled 'Quay').
Montreal, The Montreal Museum of Fine Arts, Paris in the Days of Post-Impressionism, Signac and the Indépendants, March - September 2020, no. 26, pp. 45 & 362 (illustrated p. 26; titled 'Quay').
Présenté par
Olivia Vonberg
Specialist, Head of Works on Paper Sale