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[SELECTIONS FROM MUSEUM AND PRIVATE COLLECTIONS]
Kinas kunst i svensk og dansk eje, Danske kunstindustrimuseum, 1950. - SCHLOSS, Foreigners in Ancient Chinese Art, 1969. - D'ARGENCE, Bronze Vessels of Ancient China in the Avery Brundage Collection, 1977. - ROBERTS, Treasures from the Metropolitan Museum of Art, 1979. - The 15th Anniversary Catalogue, Idemitsu Museum of Art, 1981. - The North Grotto Temple at Qingyang, 1985. - Asian Orientations: Treasures form Honolulu's Oriental Art Society, 1985. - Two Tombs of the Chu State at Xinyang, 1986. - Selections of Chinese Art from Private Collections, 1986. - SILBERGELD, Mind Landscapes: The Paintings of C.C. Wang, 1987. - WATT, The Arts of Ancient China, The Metropolitan Museum of Art Bulletin, Summer 1990. - LI, Eternal China: Splendors from the first Dynasties, 1998. - Elegance and Radiance, Grandeur in Qing Glass: The Andrew K. F. Lee Collection, 2000. - WATT AND LEIDY, Defining Yongle: Imperial Art in Early Fifteen-Century China, 2005. - Ancient Bronze Mirrors from the Shanghai Museum, 2005. (15)
Kinas kunst i svensk og dansk eje, Danske kunstindustrimuseum, 1950. - SCHLOSS, Foreigners in Ancient Chinese Art, 1969. - D'ARGENCE, Bronze Vessels of Ancient China in the Avery Brundage Collection, 1977. - ROBERTS, Treasures from the Metropolitan Museum of Art, 1979. - The 15th Anniversary Catalogue, Idemitsu Museum of Art, 1981. - The North Grotto Temple at Qingyang, 1985. - Asian Orientations: Treasures form Honolulu's Oriental Art Society, 1985. - Two Tombs of the Chu State at Xinyang, 1986. - Selections of Chinese Art from Private Collections, 1986. - SILBERGELD, Mind Landscapes: The Paintings of C.C. Wang, 1987. - WATT, The Arts of Ancient China, The Metropolitan Museum of Art Bulletin, Summer 1990. - LI, Eternal China: Splendors from the first Dynasties, 1998. - Elegance and Radiance, Grandeur in Qing Glass: The Andrew K. F. Lee Collection, 2000. - WATT AND LEIDY, Defining Yongle: Imperial Art in Early Fifteen-Century China, 2005. - Ancient Bronze Mirrors from the Shanghai Museum, 2005. (15)
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