JOHN CLERK OF ELDIN (1728-1812)
PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
JOHN CLERK OF ELDIN (1728-1812)

Dumbarton Castle looking down the River Clyde

Details
JOHN CLERK OF ELDIN (1728-1812)
Dumbarton Castle looking down the River Clyde
etching with extensive work in grey wash
circa 1770-82
on laid paper, watermark Name of Jesus (similar to Haewood 2966)
a fine, strong impression of this very rare print
worked up in various shades of grey wash with fine atmospheric effects
trimmed to or just inside the subject on three sides, just below the borderline or title border below
various repaired small holes, losses and paper splits
Sheet 194 x 316 mm.
来源
Christopher Mendez (1943-2025), London; then by descent to present owners.
Literature
E.S. Lumsden, 'The Etchings of John Clerk of Eldin', in: The Print Collector's Quarterly, Vol. XII, 1925, part 1, p. 15 ff, no. 86.
G. Bertram, The Etchings of John Clerk of Eldin, Taunton, 2012, no. 100.

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拍品专文

John Clerk was the seventh son of the second Baronet of Eldin. He was married to the sister of John, James and Robert Adams, the leading architects of the Scottish Enlightenment, and thus moved in the intellectual circles of 18th-century Edinburgh. He was a naval writer and amateur etcher, who over a period of 12 years, between 1770-82, produced a corpus of over one hundred etchings of buildings and landscapes of Scotland - and one reversed copy after Rembrandt's so-called Landscape with an Obelisk (New Hollstein 249).
The British Museum in London holds an impression of the same subject, which is more lightly touched with grey wash (inv. no. 1857,0520.214) that the present sheet. A delicately watercoloured impression is kept in the Print Room of the Scottish National Galleries, Edinburgh (inv. no. P 2355.12).
For further information about the artist and his etched oeuvre, see also Geoffrey Bertram's website and revised online catalogue at: www.clerkofeldin.com

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