Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.
Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.
His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.
Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.
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Le repas frugal
PABLO PICASSO (1881-1973)
Homme dévoilant une Femme, from La Suite Vollard
PABLO PICASSO (1881-1973)
Sculpteur et son modèle devant une fenêtre, from La Suite Vollard
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Modéle Contemplant un Groupe Sculpté, from La Suite Vollard
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Le Viol V, from La Suite Vollard
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Modèle et grande sculpture de dos, from La Suite Vollard
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Scène bacchique au minotaure, from La Suite Vollard
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Minotaure, buveur et femmes, from La Suite Vollard
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Minotaure caressant une dormeuse, from La Suite Vollard
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Femme torero. II, from La Suite Vollard
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Minotaure aveugle guidé par une Fillette, I, from La Suite Vollard
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Minotaure aveugle guidé par une Fillette, III, from La Suite Vollard
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Minotaure aveugle guidé par une Fillette, II, from La Suite Vollard
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Minotaure aveugle guidé par une fillette dans la nuit, from La Suite Vollard
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Femme torero, I
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Corrida
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Figure au corsage rayé
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Françoise sur fond gris
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Françoise sur fond gris
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La Femme à la fenêtre
巴布罗‧毕加索(1881-1973)
Nature morte au gruyère
巴布罗‧毕加索(1881-1973)
Étude de céramiques
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Chèvre à la patte repliée
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Le Coq
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Portrait d'Olga au chignon
巴布罗‧毕加索(1881-1973)
Pichet oiseau
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Chèvre
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L'Oiseau
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Grand Vase aux danseurs (A.R. 114)
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Nature morte aux six pommes
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Huit Études d'homme
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Femme couchée et femme ouvrant les rideaux
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La Sirène
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Portrait de Guillaume Apollinaire
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Tête de femme au collier
巴布罗‧毕加索(1881-1973)
Les femmes d'Alger (Version 'O')
巴布罗‧毕加索(1881-1973)
Fillette à la corbeille fleurie
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Nude, Green Leaves and Bust
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Femme assise près d'une fenêtre (Marie-Thérèse)
巴布罗‧毕加索(1881-1973)
Buste de femme (Femme à la résille)
巴布罗‧毕加索(1881-1973)
Portrait d'Angel Fernández de Soto
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Tête de femme (Fernande)
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Tête de femme (Fernande)
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La Lecture (Marie-Thérèse)
巴布罗‧毕加索(1881-1973)
Femme assise, robe bleue
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Femme endormie
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Nature morte à la fenêtre
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Homme à la guitare
巴布罗‧毕加索(1881-1973)
Femme accroupie (Jacqueline)
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Mousquetaire à la pipe II