Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.
Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.
His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.
Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.
PABLO PICASSO (1881-1973)
Nature morte
PABLO PICASSO (1881-1973)
Couple enlacé III
PABLO PICASSO (1881-1973)
Le Peintre et son modèle
巴布罗‧毕加索(1881-1973)
Les femmes d'Alger (Version 'O')
巴布罗‧毕加索(1881-1973)
Fillette à la corbeille fleurie
巴布罗‧毕加索(1881-1973)
Nude, Green Leaves and Bust
巴布罗‧毕加索(1881-1973)
Femme assise près d'une fenêtre (Marie-Thérèse)
巴布罗‧毕加索(1881-1973)
Buste de femme (Femme à la résille)
巴布罗‧毕加索(1881-1973)
Portrait d'Angel Fernández de Soto
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
PABLO PICASSO (1881-1973)
La Lecture (Marie-Thérèse)
巴布罗‧毕加索(1881-1973)
Femme assise, robe bleue
PABLO PICASSO (1881-1973)
Femme endormie
PABLO PICASSO (1881-1973)
Nature morte à la fenêtre
PABLO PICASSO (1881-1973)
Homme à la guitare
巴布罗‧毕加索(1881-1973)
Femme accroupie (Jacqueline)
PABLO PICASSO (1881-1973)
Mousquetaire à la pipe II
巴布罗‧毕加索(1881-1973)
Femme assise dans un fauteuil
巴布罗‧毕加索(1881-1973)
La Lampe
巴布罗‧毕加索(1881-1973)
Femme dans un fauteuil
巴布罗‧毕加索(1881-1973)
Les femmes d'Alger (version 'F')
巴布罗‧毕加索(1881-1973)
Femme assise, robe bleue
巴布罗‧毕加索(1881-1973)
Claude et Paloma
PABLO PICASSO (1881-1973)
Femme à la coiffe d'Arlésienne sur fond vert (Lee Miller)
巴布罗‧毕加索(1881-1973)
Femme au costume turc dans un fauteuil
PABLO PICASSO (1881-1973)
Femme accroupie en costume turc II (Jacqueline)
巴布罗‧毕加索(1881-1973)
Femme dans un fauteuil (Dora Maar)
PABLO PICASSO (1881-1973)
Buste de femme
巴布罗‧毕加索(1881-1973)
La Lettre (La Réponse)
PABLO PICASSO (1881-1973)
L'Arlésienne (Lee Miller)
巴布罗‧毕加索(1881-1973)
Buste de femme (Dora Maar)
巴布罗‧毕加索(1881-1973)
Homme à l’épée
巴布罗‧毕加索(1881-1973)
Portrait de femme (Dora Maar)
PABLO PICASSO (1881-1973)
La femme enceinte, 1er état
PABLO PICASSO (1881-1973)
Buste d’homme dans un cadre
PABLO PICASSO (1881-1973)
La fenê tre ouverte
巴布罗‧毕加索(1881-1973)
Jeune fille endormie
巴布罗‧毕加索(1881-1973)
Les femmes d'Alger, version L
PABLO PICASSO (1881-1973)
Femme dans un rocking-chair (Jacqueline)
PABLO PICASSO (1881-1973)
L'Étreinte
PABLO PICASSO (1881-1973)
Femme nue couchée au collier (Marie-Thérèse)
PABLO PICASSO (1881-1973)
Femme au chapeau assise
巴布罗‧毕加索(1881-1973)
Homme à la pipe
巴布罗‧毕加索(1881-1973)
Le baiser
巴布罗‧毕加索(1881-1973)
Femme au chat assise dans un fauteuil
巴布罗‧毕加索(1881-1973)
Buste de Françoise
巴布罗‧毕加索(1881-1973)
Femme dans un fauteuil
巴布罗‧毕加索(1881-1973)
Figure (de femme inspirée par la guerre d’Espagne)
PABLO PICASSO (1881-1973)
Homme à la pipe